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Nuri İyem (1915 - 2005) Click for Artist Information
"Still Life"
Still Lifes: Among İyem's paintings, still lifes should be the least produced. These works appear as fruit compositions in the transition to the abstract period. Afterwards, objects such as fruits and pitchers are incorporated into abstract practices by transforming into geometric abstract expressions. After the 1960s, flowers gain prominence. At the core of all subjects are Nuri İyem's original creations. This is an art story whose foundations were laid in the 1940s. It is the assimilation of pattern, color and line in a unique style. These paintings are examples of an adventure in which the abstract is identified with the concrete and the symbol is embedded in the essence of expression.
Kıymet Giray, "Nuri İyem", İş Bank Publications, 1998, Page 294,
Oil on canvas
45 x 35 cm
1998, signed
This work is included in the 161 pages of the second volume of the two-volume book "Nuri İyem from Yesterday to Tomorrow", which is a Catalog Raisonneé published by Evin Art Gallery in 2002.
Estimated:350.000TL - 500.000TL
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Nuri İyem
NURİ İYEM (1915-2005)
He was born in Istanbul in 1915. He worked in the workshops of Nazmi Ziya, İbrahim Çallı and Hikmet Onat at the Istanbul State Academy of Fine Arts (now known as Mimar Sinan Fine Arts University). He took lessons from Leopold Levy for a while. During these years, he took part in the formation of the "New Group", which would bring new suggestions to figurative tendencies and content problematic in Turkish Painting. Nuri İyem's art was shaped under abstract and modern figurative periods.
He abandoned the concept of abstract painting, which he focused on after 1950, in the 1960s, and followed a period in which his paintings included people migrating from villages to cities, scenes from slum life, and portraits of young women. Concrete content and pictorial structure (architecture), solid construction in the sense of nature, are the main elements that characterize İyem's painting. The reaction, mystery and questioning of the Anatolian steppe can be seen in those eyes, which come to the fore in Nuri İyem's portraits of rural women, which are considered his symbols. Although he produced works in all types of painting, portraits, especially female portraits, have a significant importance in Nuri İyem's art. Among these, her portraits of Anatolian women and her landscapes with figures are the ones that are most engraved in the viewer's memory.
Nuri İyem thoroughly evaluated and realized his Anatolian women series, especially in single and triple compositions, within all pictorial fiction and expression possibilities. The texture of the Anatolian soil is meticulously crafted and strongly expressed in every square centimeter of the paintings. The portraits, each of which brings to mind an icon with its purity, go beyond the stylistic limits of the icon tradition by embarking on a long journey in the endless universe of expression of the human face. He passed away in Istanbul in 2005.
